Why I Write Fantasy by Ariana and Mythpunk
He chuckled a little, and then he asked, "What started your love affair with fantasy?"
I thought about it for a second, and then I told him a few stories.
When I was a little girl, just four or five years old, I never played
with Barbies or dolls. I had a variety of plastic animal figurines, and
I'd spend all of my time outside, playing with them in the grass and
dirt. I was a bit of an animal geek, and spent all my time reading
animal encyclopedias. I was fascinated by what I read. There was never
enough information for me.
My favourite animals, though, were wolves, bats, rats, lions, and poison
dart frogs. When I would go to sleep at night, I'd sleep with a black
plastic rat and a plastic bat, both of which squeaked, and had red eyes.
"You could be a witch," my supervisor said.
Then I told him this story.
When I was six, I wanted a pair of antlers. Not fake antlers. Real deer
antlers. I needed them. To be honest, I am not sure why I wanted them so
badly. But it was a deep, visceral need in me. I wasn't quite happy
with being human. My dearest wish was to be a wolf. But deer antlers
would have to do in the meantime.
Well, I got them for Christmas. Real deer antlers, two lovely spikes
with three tines on each, jutting up from a small triangle of skull.
That cemented my belief in Santa for several more years. I would hold
them to my head rapturously and gaze in the mirror, imagining having
them for real. It was only a few years ago that I learned how I got
them.
My parents went to my grade one teacher, saying, "Help us, Ariana wants
deer antlers in the worst way, we don't know what to do, our daughter is
really weird."
And my teacher's brother was a hunter, and she got him to save the
antlers from the next deer he killed for me. He cleaned them up and sent
them to my parents. Reason #295 why my parents are amazing.
Of course, I am not mentioning how much I loved fairy tales and
mythology as a kid. I had a book of Greek myths, countless fairy tale
anthologies and stand-alone stories, and an endless amount of
imagination. In my mind, animals always talked, and the wind was a
goading force that tempted me away from home, and I'd kiss trees
affectionately because I was happy they were alive. I was happiest when I
imagined I was flying, a Swan Maiden, part-cat, part-wolf, magical, a
Faerie, transformative.
I've never been satisfied with reality.
As I got older, and Pretend wasn't always a viable game, I read more and
more. My favourites? The Golden Compass, The Sight, Harry Potter. They
opened up my mind to even more possibilities. They were my games of
pretend come to spectacular, beyond-my-imagination life.
Even now, I find it hard to describe what my mind is like. It's full of
stories, and wishes, and garnets and grease and cinquefoil and tea and
silk and shadows and bones and feathers. I add narratives to everything
around me. My highest aspiration is to live a life that can match my
dreams. The wind still tempts me away from home.
I couldn't stop writing fantasy if I tried. It's a part of me, in the way that antlers are not.
Favourite authors: J.K. Rowling, Neil Gaiman, Catherynne M. Valente, Holly Black, Diana Wynne Jones, Philip Pullman, and Haruki Murakami.
Ariana. Ariana F.
I'm twenty-two years old and a university student in
Canada. I'm in my last year of studying English Language and Literature
as well as Creative Writing, and I am planning on pursuing my MLIS
degree. I'm currently writing a creative writing thesis, a collection of
short stories focusing on transformation, folklore, and magic.
I write primarily for a Young Adult audience, and I think the best way to describe my writing is mythpunk *. Fantasy literature has been a part of my life ever since I could choose my own books. I've been published in Cicada magazine, as well as my university's writing zine, and I'm hoping that this is just the beginning of my career. I blog at Wolf in the Fable
*""a
subgenre of mythic fiction" in which classical folklore and faerie
tales get hyperpoetic postmodern makeovers." Coined by author Catherynne M. Valente, the term describes a
brand of speculative fiction which starts in folklore and myth and adds
elements of postmodern fantastic techniques: urban fantasy,
confessional poetry, non-linear storytelling, linguistic calisthenics,
worldbuilding, and academic fantasy.
Characterized by baroque multicultural fashion, alternative/ queer sexuality, bizarre retellings of familiar faerie tales, pervasive anxiety, fear of inevitable change, elaborate symbolism and radical reinterpretation, mythpunk is a cross-media movement. Although largely defined through literary works like Andrea Jones's Hook & Jill, Francesca Lia Block's Weetzie Bat series and Catherynne Valente's The Orphans Tales, the mythpunk aesthetic occasionally manifests in music (The Decemberists), film (Pan's Labyrinth), jewelry and other media forms.
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