Why I Write Fantasy by Ariana and Mythpunk
He chuckled a little, and then he asked, "What started your love affair with fantasy?"
I thought about it for a second, and then I told him a few stories.
When I was a little girl, just four or five years old, I never played with Barbies or dolls. I had a variety of plastic animal figurines, and I'd spend all of my time outside, playing with them in the grass and dirt. I was a bit of an animal geek, and spent all my time reading animal encyclopedias. I was fascinated by what I read. There was never enough information for me.
My favourite animals, though, were wolves, bats, rats, lions, and poison dart frogs. When I would go to sleep at night, I'd sleep with a black plastic rat and a plastic bat, both of which squeaked, and had red eyes.
"You could be a witch," my supervisor said.
Then I told him this story.
When I was six, I wanted a pair of antlers. Not fake antlers. Real deer antlers. I needed them. To be honest, I am not sure why I wanted them so badly. But it was a deep, visceral need in me. I wasn't quite happy with being human. My dearest wish was to be a wolf. But deer antlers would have to do in the meantime.
Well, I got them for Christmas. Real deer antlers, two lovely spikes with three tines on each, jutting up from a small triangle of skull. That cemented my belief in Santa for several more years. I would hold them to my head rapturously and gaze in the mirror, imagining having them for real. It was only a few years ago that I learned how I got them.
My parents went to my grade one teacher, saying, "Help us, Ariana wants deer antlers in the worst way, we don't know what to do, our daughter is really weird."
And my teacher's brother was a hunter, and she got him to save the antlers from the next deer he killed for me. He cleaned them up and sent them to my parents. Reason #295 why my parents are amazing.
Of course, I am not mentioning how much I loved fairy tales and mythology as a kid. I had a book of Greek myths, countless fairy tale anthologies and stand-alone stories, and an endless amount of imagination. In my mind, animals always talked, and the wind was a goading force that tempted me away from home, and I'd kiss trees affectionately because I was happy they were alive. I was happiest when I imagined I was flying, a Swan Maiden, part-cat, part-wolf, magical, a Faerie, transformative.
I've never been satisfied with reality.
As I got older, and Pretend wasn't always a viable game, I read more and more. My favourites? The Golden Compass, The Sight, Harry Potter. They opened up my mind to even more possibilities. They were my games of pretend come to spectacular, beyond-my-imagination life.
Even now, I find it hard to describe what my mind is like. It's full of stories, and wishes, and garnets and grease and cinquefoil and tea and silk and shadows and bones and feathers. I add narratives to everything around me. My highest aspiration is to live a life that can match my dreams. The wind still tempts me away from home.
I couldn't stop writing fantasy if I tried. It's a part of me, in the way that antlers are not.
Favourite authors: J.K. Rowling, Neil Gaiman, Catherynne M. Valente, Holly Black, Diana Wynne Jones, Philip Pullman, and Haruki Murakami.
I'm twenty-two years old and a university student in Canada. I'm in my last year of studying English Language and Literature as well as Creative Writing, and I am planning on pursuing my MLIS degree. I'm currently writing a creative writing thesis, a collection of short stories focusing on transformation, folklore, and magic.
I write primarily for a Young Adult audience, and I think the best way to describe my writing is mythpunk *. Fantasy literature has been a part of my life ever since I could choose my own books. I've been published in Cicada magazine, as well as my university's writing zine, and I'm hoping that this is just the beginning of my career. I blog at Wolf in the Fable
*""a subgenre of mythic fiction" in which classical folklore and faerie tales get hyperpoetic postmodern makeovers." Coined by author Catherynne M. Valente, the term describes a brand of speculative fiction which starts in folklore and myth and adds elements of postmodern fantastic techniques: urban fantasy, confessional poetry, non-linear storytelling, linguistic calisthenics, worldbuilding, and academic fantasy.
Characterized by baroque multicultural fashion, alternative/ queer sexuality, bizarre retellings of familiar faerie tales, pervasive anxiety, fear of inevitable change, elaborate symbolism and radical reinterpretation, mythpunk is a cross-media movement. Although largely defined through literary works like Andrea Jones's Hook & Jill, Francesca Lia Block's Weetzie Bat series and Catherynne Valente's The Orphans Tales, the mythpunk aesthetic occasionally manifests in music (The Decemberists), film (Pan's Labyrinth), jewelry and other media forms.